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Hour of the Cat

Audiobook
1 of 1 copy available
1 of 1 copy available

On the eve of World War II, a murder in New York City draws two vastly different men, an American detective and a German intelligence officer, into the gathering storm.

The death of a spinster nurse killed in her apartment was one of hundreds of simple homicides, indistinguishable from any other in 1938. A suspect was caught and convicted. Then Private Investigator Fintan Dunne is lured in to the case, and coerced by conscience into unraveling the setup that has put an innocent man on death row. Following the trail takes him into a murder conspiracy of a scope that defies imagination.

Meanwhile, in Germany, with no limits to Hitler's mania, Admiral Wilhelm Canaris, head of Military Intelligence, knows that the "hour of the cat" looms, when every German must make a choice.

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    • AudioFile Magazine
      On the eve of WWII, PI Fintan Dunne investigates the wrongful imprisonment of a man convicted of killing a nurse. As he investigates, Dunne crosses paths with a deadly German spy. Ned Schmidtke reads this thriller with the uninflected delivery of a 1950s' hard-boiled detective. As the writing is flat, in the mode of film noir, the narrative style works pretty well. Schmidtke's pacing, though, could use some fine-tuning; he tends to pause when the text doesn't lend itself to a break. And his American male characters sound rather alike. A.C.S. (c) AudioFile 2006, Portland, Maine
    • Publisher's Weekly

      May 9, 2005
      Quinn (Banished Children of Eve
      ) illuminates New York City on the eve of WWII in his noir second novel. As Hitler's army encroaches on the Sudetenland and his doctors put the "science" of eugenics into practice, New York private dick Fintan Dunne seeks to exonerate Wilfredo Grillo, a Cuban immigrant accused of murdering a neighbor. As in any good boilerplate detective novel, Dunne's search for the killer takes him from the tenements of Hell's Kitchen to a respected sanatorium in the Bronx and unveils a cabal of conspirators. While Dunne fights late-Tammany era corruption, Quinn indicts America's indifference to the impending war in Europe through the characters of an English traveler writer, Ian Anderson, and a young journalist, John Taylor. On the German front, the chief of military intelligence, Admiral Canaris, tries to balance his reluctance for Germany to be at war again and Hitler's mad vision of "destiny." When Canaris learns of an SS agent operating in New York, he tries to surreptitiously alert Anderson, who once interviewed him. Shuttling between the opposing narratives, which eventually connect, Quinn's novel is as much a rebuke of the systematized violence of war as it is straight-up spy thriller: noir purists will blanche at the work's attempted reach, while fans of historical fiction will champion Quinn's method. Agent, Robin Straus Agency.

    • Publisher's Weekly

      May 30, 2005
      Quinn (Banished Children of Eve ) illuminates New York City on the eve of WWII in his noir second novel. As Hitler's army encroaches on the Sudetenland and his doctors put the "science" of eugenics into practice, New York private dick Fintan Dunne seeks to exonerate Wilfredo Grillo, a Cuban immigrant accused of murdering a neighbor. As in any good boilerplate detective novel, Dunne's search for the killer takes him from the tenements of Hell's Kitchen to a respected sanatorium in the Bronx and unveils a cabal of conspirators. While Dunne fights late-Tammany era corruption, Quinn indicts America's indifference to the impending war in Europe through the characters of an English traveler writer, Ian Anderson, and a young journalist, John Taylor. On the German front, the chief of military intelligence, Admiral Canaris, tries to balance his reluctance for Germany to be at war again and Hitler's mad vision of "destiny." When Canaris learns of an SS agent operating in New York, he tries to surreptitiously alert Anderson, who once interviewed him. Shuttling between the opposing narratives, which eventually connect, Quinn's novel is as much a rebuke of the systematized violence of war as it is straight-up spy thriller: noir purists will blanche at the work's attempted reach, while fans of historical fiction will champion Quinn's method. Agent, Robin Straus Agency.

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  • English

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